tentaculotech

always supporting your artsy stuff with all arms available

translating between

arts and tech

When you're busy bringing an artistic vision to life, technical details are among the things you shouldn't need to worry about. This is why I always try my very best to understand that vision, translate it into technical terms and help make it a reality. Isn't it just the best to work together towards that common goal, overcoming obstacles and restraints, collaborative, as partners, no egos? For my part, I enjoy this a lot and if I succeed in making people on stage shine even more, that to me is the highest reward.

If you're curious about what I do, check out some of my recent projects down below and feel free to send me a message if you would like me to contribute to your next project.

stage lighting

pop, rock, touring

We Could Have Been Friends Tour (2025)

music: Jacob Fortyhands

photography: Guido Knoll

lighting design, programming & operating: me

classical, contemporary

Die Zauberflöte (2025)

music: Die Deutsche Kammerphilharmonie Bremen

director: Romain Gilbert

lighting design: Hervé Gary

lighting programming & operating: me

photography: me

theatre, performance arts

Sor Juanas Traum (2025)

music: Marsyas Baroque

composition: Dorothée Hahne

director: Claudia Isabel Martin

projections: Katrin Bethke

lighting design, programming & operating: me

photography: me

misc audiovisual

concert photography

Dreck und Glitzer Festival (2023)

music: Bitume

lighting: me

photography: in this case actually not me, but Alethia Pinzón :)

video documentation

Weserantikorrekturprojekt (2025)

performance: Victor Artiga

stills & video docu: Alethia Pinzón & me

live audio

Tidal Wave (2016)

music: Hypertonus

mastering: Alexander Lausch

mixing: John Simm

recording: me

tentaculotech is based in Bremen, Germany

got a cool project? let's work together!

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